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oai:uvadoc.uva.es:10324/526832022-03-28T20:46:52Zcom_10324_1142com_10324_931com_10324_894col_10324_1259

Iglesias, Iván Producción Científica The 1940s were one of the darkest, most dramatic and ill-fated times of contemporary Spain. After a long and fierce civil war, the Franco regime achieved institutional stability and political hegemony through measures of extremely harsh physical and psychological repression. The purges, summary trials and executions destroyed the last of explicit resistance and served as a warning to the population. Along with the memories of war and economic hardship, these acts meant that any explicit dissent was extremely difficult. However, as has been discussed for some years now, between collaboration and passivity, between consensus and conflict, there were a set of examples of discontent and even resistance that, in the long term, would erode the regime but, at the same time, made it bearable for millions of Spaniards. This article adds a practice to the list of these daily resistances that has gone unnoticed by most historians, sociologists, and musicologists: modern popular dances. The period analysed runs from the end of the Spanish Civil War, in 1939, to the beginning of the Cold War, in 1947. 2022-03-28 2022-03-28 2017 info:eu-repo/semantics/bookPart Vega Pichaco, Belén; Martínez del Fresno, Beatriz (eds.). Dance, ideology and power in Francoist Spain (1938-1968). Bélgica: Brepols Publishers NV, 2017, p. 427-455 978-2-503-57740-1 https://uvadoc.uva.es/handle/10324/52683 eng http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503577401-1 info:eu-repo/semantics/openAccess © 2017 Brepols Publishers NV Brepols Publishers NV