<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-26T20:28:43Z</responseDate><request verb="GetRecord" identifier="oai:uvadoc.uva.es:10324/52692" metadataPrefix="dim">https://uvadoc.uva.es/oai/request</request><GetRecord><record><header><identifier>oai:uvadoc.uva.es:10324/52692</identifier><datestamp>2022-03-28T20:46:58Z</datestamp><setSpec>com_10324_1142</setSpec><setSpec>com_10324_931</setSpec><setSpec>com_10324_894</setSpec><setSpec>col_10324_1259</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="5c777e598183f122" confidence="600" orcid_id="">Iglesias, Iván</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2022-03-28T08:40:51Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2022-03-28T08:40:51Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2013</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="citation" lang="es">Martinez, Sílvia; Fouce, Héctor (eds.). Made in Spain: Studies in popular music. Nueva York (Estados Unidos): Routledge, 2013, p. 101-111</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="isbn" lang="es">9780203127032</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">https://uvadoc.uva.es/handle/10324/52692</dim:field>
<dim:field mdschema="dc" element="description" lang="es">Producción Científica</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="es">Jazz appeared in Spain almost at the same time as it did in the United Kingdom, France, and&#xd;
Germany, usually considered its main centers in Europe. The first musical “jazz” performances&#xd;
in Spain, as described by contemporary papers, took place in Madrid and Barcelona between&#xd;
late 1919 and early 1920. The term was soon linked to dances such as the one-step, the ragtime,&#xd;
and the foxtrot, which had appeared in Spain before jazz reached the country. The spread of&#xd;
jazz in Spain was initially modest, especially in terms of its social base: its first listeners were&#xd;
mainly aristocrats and intellectuals. However, from the mid-1920s, jazz was leaking extensively&#xd;
into musical theatre and cinema, helped by the enthusiastic reception of the charleston and the&#xd;
success of Sam Wooding’s, Josephine Baker’s, and Jack Hylton’s performances. Jazz’s spread&#xd;
continued during the Second Republic (1931–1936), mainly in Barcelona, where the large and&#xd;
exclusive Hot Club was founded in May 1935. This association edited a prestigious Jazz&#xd;
Magazine and managed to bring Benny Carter’s big band and the Quintette du Hot Club de&#xd;
France to Barcelona in January 1936. It was also a model for the creation of further small clubs&#xd;
in other Catalan towns, in Madrid and Valencia. But the military revolt in July 1936 and the&#xd;
Civil War violently dislocated Spanish social and cultural life. General Francisco Franco’s victory&#xd;
in 1939 established a dictatorship that would survive almost forty years.&#xd;
This chapter analyzes the relationship between jazz and Franco’s Spain up to 1968, when&#xd;
this music underwent a crisis and adjustment to new institutions, practices, and audiences&#xd;
directly connected with the subsequent transition to democracy.</dim:field>
<dim:field mdschema="dc" element="format" qualifier="mimetype" lang="es">application/pdf</dim:field>
<dim:field mdschema="dc" element="language" qualifier="iso" lang="es">eng</dim:field>
<dim:field mdschema="dc" element="publisher" lang="es">Routledge</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="accessRights" lang="es">info:eu-repo/semantics/openAccess</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="holder" lang="es">© 2013  Routledge</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Jazz, Música de - España - Franquismo</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Jazz - Spain - Franquism</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="unesco" lang="es">6203.06 Música, Musicología</dim:field>
<dim:field mdschema="dc" element="title" lang="es">Swinging modernity: Jazz and politics in Franco’s Spain (1939–1968)</dim:field>
<dim:field mdschema="dc" element="type" lang="es">info:eu-repo/semantics/bookPart</dim:field>
<dim:field mdschema="dc" element="type" qualifier="hasVersion" lang="es">info:eu-repo/semantics/acceptedVersion</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="publisherversion" lang="es">https://www.taylorfrancis.com/chapters/edit/10.4324/9780203127032-20/swinging-modernity-jazz-politics-franco-spain-1939%E2%80%931968-iva%C2%B4n-iglesias</dim:field>
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