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<dc:title>Swinging modernity: Jazz and politics in Franco’s Spain (1939–1968)</dc:title>
<dc:creator>Iglesias, Iván</dc:creator>
<dc:subject>Jazz, Música de - España - Franquismo</dc:subject>
<dc:subject>Jazz - Spain - Franquism</dc:subject>
<dc:description>Producción Científica</dc:description>
<dc:description>Jazz appeared in Spain almost at the same time as it did in the United Kingdom, France, and&#xd;
Germany, usually considered its main centers in Europe. The first musical “jazz” performances&#xd;
in Spain, as described by contemporary papers, took place in Madrid and Barcelona between&#xd;
late 1919 and early 1920. The term was soon linked to dances such as the one-step, the ragtime,&#xd;
and the foxtrot, which had appeared in Spain before jazz reached the country. The spread of&#xd;
jazz in Spain was initially modest, especially in terms of its social base: its first listeners were&#xd;
mainly aristocrats and intellectuals. However, from the mid-1920s, jazz was leaking extensively&#xd;
into musical theatre and cinema, helped by the enthusiastic reception of the charleston and the&#xd;
success of Sam Wooding’s, Josephine Baker’s, and Jack Hylton’s performances. Jazz’s spread&#xd;
continued during the Second Republic (1931–1936), mainly in Barcelona, where the large and&#xd;
exclusive Hot Club was founded in May 1935. This association edited a prestigious Jazz&#xd;
Magazine and managed to bring Benny Carter’s big band and the Quintette du Hot Club de&#xd;
France to Barcelona in January 1936. It was also a model for the creation of further small clubs&#xd;
in other Catalan towns, in Madrid and Valencia. But the military revolt in July 1936 and the&#xd;
Civil War violently dislocated Spanish social and cultural life. General Francisco Franco’s victory&#xd;
in 1939 established a dictatorship that would survive almost forty years.&#xd;
This chapter analyzes the relationship between jazz and Franco’s Spain up to 1968, when&#xd;
this music underwent a crisis and adjustment to new institutions, practices, and audiences&#xd;
directly connected with the subsequent transition to democracy.</dc:description>
<dc:date>2022-03-28T08:40:51Z</dc:date>
<dc:date>2022-03-28T08:40:51Z</dc:date>
<dc:date>2013</dc:date>
<dc:type>info:eu-repo/semantics/bookPart</dc:type>
<dc:identifier>Martinez, Sílvia; Fouce, Héctor (eds.). Made in Spain: Studies in popular music. Nueva York (Estados Unidos): Routledge, 2013, p. 101-111</dc:identifier>
<dc:identifier>9780203127032</dc:identifier>
<dc:identifier>https://uvadoc.uva.es/handle/10324/52692</dc:identifier>
<dc:language>eng</dc:language>
<dc:relation>https://www.taylorfrancis.com/chapters/edit/10.4324/9780203127032-20/swinging-modernity-jazz-politics-franco-spain-1939%E2%80%931968-iva%C2%B4n-iglesias</dc:relation>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>© 2013  Routledge</dc:rights>
<dc:publisher>Routledge</dc:publisher>
</ow:Publication>
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