2026-05-05T18:43:40Zhttps://uvadoc.uva.es/oai/requestoai:uvadoc.uva.es:10324/585842023-02-08T20:01:47Zcom_10324_38col_10324_852
UVaDOC
advisor
Sáez Hidalgo, Ana
author
Jaspe González, Natalia
editor
Universidad de Valladolid. Facultad de Filosofía y Letras
2023-02-08T12:47:18Z
2023-02-08T12:47:18Z
2022
https://uvadoc.uva.es/handle/10324/58584
This dissertation carries out a narratological analysis of the metanarrative frame in William Goldman’s novel The Princess Bride (1973). Once concepts like “metanarrative” and “metafictional” literature are defined and differentiated, and also “frame story,” narrative structure, and diegetic levels, the analysis addresses Morgenstern and Goldman as a fictional narrator and a literary persona of the author respectively. Their dynamics invoke aspects reminiscent of Roland Barthes’ death of the author. All these narratological features of the novel are then compared to those in its film adaptation, whose narrative structure and narrator go through significant changes in the transposition.
eng
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
Narrators and Authorial Persona in The Princess Bride: The Novel and the Movie
info:eu-repo/semantics/bachelorThesis
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IApwb3IgaW5jdW1wbGltaWVudG8gZGUgY3VhbHF1aWVyYSBkZSBsYXMgb2JsaWdhY2lvbmVzIGRlcml2YWRhcyBkZWwgQWN1ZXJkbywgcG9yIHZvbHVudGFkIGV4cHJlc2EgZGVsIEF1dG9yCkVuICBwcnVlYmEgZGUgY29uZm9ybWlkYWQsIGxhcyBwYXJ0ZXMgYWNlcHRhbiBlbCBwcmVzZW50ZSBBY3VlcmRvCgoKCgo=
URL
https://uvadoc.uva.es/bitstream/10324/58584/1/TFG_F_2022_133.pdf
File
MD5
41fc203ad4b3a408e0614effb439b980
393773
application/pdf
TFG_F_2022_133.pdf