2026-04-27T21:30:22Zhttps://uvadoc.uva.es/oai/request

oai:uvadoc.uva.es:10324/585842023-02-08T20:01:47Zcom_10324_38col_10324_852

Jaspe González, Natalia 2023-02-08T12:47:18Z 2023-02-08T12:47:18Z 2022 https://uvadoc.uva.es/handle/10324/58584 This dissertation carries out a narratological analysis of the metanarrative frame in William Goldman’s novel The Princess Bride (1973). Once concepts like “metanarrative” and “metafictional” literature are defined and differentiated, and also “frame story,” narrative structure, and diegetic levels, the analysis addresses Morgenstern and Goldman as a fictional narrator and a literary persona of the author respectively. Their dynamics invoke aspects reminiscent of Roland Barthes’ death of the author. All these narratological features of the novel are then compared to those in its film adaptation, whose narrative structure and narrator go through significant changes in the transposition. En este Trabajo de Fin de Grado se lleva a cabo el análisis narratológico del marco metanarrativo de La princesa prometida (1973), de William Goldman. Una vez definidos y diferenciados conceptos como literatura "metanarrativa" y "metaficcional", así como el "relato-marco", estructura narrativa y niveles diegéticos, el análisis aborda a Morgestern y Goldman como narrador ficticio y autor sustituto, respectivamente. Su dinámica invoca aspectos que recuerdan a la muerte del autor, de Roland Barthes. Todos estos rasgos narratológicos de la novela se comparan luego con los de su adaptación cinematográfica, cuya estructura narrativa y narrador sufren cambios significativos en la transposición. eng info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution-NonCommercial-NoDerivatives 4.0 Internacional Narrators and Authorial Persona in The Princess Bride: The Novel and the Movie info:eu-repo/semantics/bachelorThesis