2026-05-05T10:25:57Zhttps://uvadoc.uva.es/oai/request

oai:uvadoc.uva.es:10324/650912025-03-26T19:10:17Zcom_10324_1142com_10324_931com_10324_894col_10324_1258

Díaz-Emparanza Almoguera, Miguel 2024-01-26T12:58:49Z 2024-01-26T12:58:49Z 2022 HUMAN REVIEW. International Humanities Review, 15 (6):1-12. 2695-9623 https://uvadoc.uva.es/handle/10324/65091 10.37467/revhuman.v11.4335 1 15 12 6 Producción Científica This article analyzes the digitization process and the difficulties encountered along the way, as a project that involved audiovisual technicians, academic researchers, and a famous Spanish dancer’s legacy: the audiovisual documents Guillermina Martínez Cabrejas, Mariemma, left to a museum located in her hometown. The specific criteria used to decide on the differences that arose in the process, provides great results and, also, a critical view on the limitations of the international preservation guidelines of digital objects Este trabajo forma parte del proyecto de investigación: PID 2019-106539RB-I00 (Modelos de aprendizaje en entornos digitales de Educación Patrimonial). Ministerio de Ciencia e Innovación. Agencia Estatal de Investigación application/pdf spa GKA Ediciones info:eu-repo/semantics/openAccess Música Patrimonio audiovisual digitalización Heritage dance music digitization sound guidelines 6203.06 Música, Musicología DIGITIZATION OF MARIEMMA’S LEGACY AUDIOVISUAL COLLECTION the challenge of preserving intangible heritage info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion SI