2026-05-05T21:33:06Zhttps://uvadoc.uva.es/oai/request

oai:uvadoc.uva.es:10324/650912025-03-26T19:10:17Zcom_10324_1142com_10324_931com_10324_894col_10324_1258

00925njm 22002777a 4500 dc Díaz-Emparanza Almoguera, Miguel author 2022 This article analyzes the digitization process and the difficulties encountered along the way, as a project that involved audiovisual technicians, academic researchers, and a famous Spanish dancer’s legacy: the audiovisual documents Guillermina Martínez Cabrejas, Mariemma, left to a museum located in her hometown. The specific criteria used to decide on the differences that arose in the process, provides great results and, also, a critical view on the limitations of the international preservation guidelines of digital objects HUMAN REVIEW. International Humanities Review, 15 (6):1-12. 2695-9623 https://uvadoc.uva.es/handle/10324/65091 10.37467/revhuman.v11.4335 1 15 12 6 Música Patrimonio audiovisual digitalización DIGITIZATION OF MARIEMMA’S LEGACY AUDIOVISUAL COLLECTION the challenge of preserving intangible heritage