<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-14T19:47:49Z</responseDate><request verb="GetRecord" identifier="oai:uvadoc.uva.es:10324/65560" metadataPrefix="dim">https://uvadoc.uva.es/oai/request</request><GetRecord><record><header><identifier>oai:uvadoc.uva.es:10324/65560</identifier><datestamp>2024-02-02T20:00:59Z</datestamp><setSpec>com_10324_1142</setSpec><setSpec>com_10324_931</setSpec><setSpec>com_10324_894</setSpec><setSpec>col_10324_1259</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="d125804d3e330385" confidence="600" orcid_id="">Cavia Naya, María Victoria</dim:field>
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="7f534b2e-3dfd-4729-9251-5d9187143a70" confidence="600" orcid_id="">Esteve Faubel, Rosa Pilar</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2024-02-02T08:44:52Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2024-02-02T08:44:52Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2022</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="citation" lang="es">Álvarez Chávez, Martha Patricia; Rodríguez Garay, Gloria Olivia; Husted Ramos, Silvia (coord.). Comunicación y pluralidad en un contexto divergente. Madrid: Dyckinson S.L., 2022, p. 707-731</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="isbn" lang="es">978-84-1377-923-2</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">https://uvadoc.uva.es/handle/10324/65560</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="publicationfirstpage" lang="es">707</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="publicationlastpage" lang="es">731</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="publicationtitle" lang="es">Comunicación y pluralidad en un contexto divergente</dim:field>
<dim:field mdschema="dc" element="description" lang="es">Producción Científica</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="es">El objetivo general de la presente investigación es analizar algunos de los rasgos discursivos predominantes en los fashion films musicales. Para ello se analiza la caracterización del lenguaje audiovisual en tres ejemplos pioneros de este nuevo medio de la industria de la moda: Trembled Blossoms de Prada, The Great Journey of Litle Bagcharms y Holi Holy [Texto extraído de los objetivos]</dim:field>
<dim:field mdschema="dc" element="format" qualifier="mimetype" lang="es">application/pdf</dim:field>
<dim:field mdschema="dc" element="language" qualifier="iso" lang="es">spa</dim:field>
<dim:field mdschema="dc" element="publisher" lang="es">Dyckinson S.L.</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="accessRights" lang="es">info:eu-repo/semantics/openAccess</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="uri" lang="*">http://creativecommons.org/licenses/by-nc-nd/4.0/</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="holder" lang="es">© 2022 The Authors</dim:field>
<dim:field mdschema="dc" element="rights" lang="*">Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Música</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Videoarte</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">Fashion films</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">Sector de la moda</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">Videoarte</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="unesco" lang="es">6203.01 Cinematografía</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="unesco" lang="es">6203.06 Música, Musicología</dim:field>
<dim:field mdschema="dc" element="title" lang="es">Música, comunicación y nuevos medios: prácticas discursivas en la configuración del fashion film musical</dim:field>
<dim:field mdschema="dc" element="type" lang="es">info:eu-repo/semantics/bookPart</dim:field>
<dim:field mdschema="dc" element="type" qualifier="hasVersion" lang="es">info:eu-repo/semantics/publishedVersion</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="publisherversion" lang="es">https://www.dykinson.com/libros/comunicacion-y-pluralidad-en-un-contexto-divergente/9788413779232/</dim:field>
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