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oai:uvadoc.uva.es:10324/661292024-07-17T08:38:03Zcom_10324_1142com_10324_931com_10324_894col_10324_1258

Moreno Fernández, Susana 2024-02-10T19:25:39Z 2024-02-10T19:25:39Z 2013 Studia Instrumentorum Musicae Popularis (New Series), 2013, vol. 3, pp. 271-290. 2191-5261 https://uvadoc.uva.es/handle/10324/66129 271 290 Studia Instrumentorum Musicae Popularis III (New Series) 3 This article offers an analysis of the revitalization of the rabel in the region of Cantabria (Spain) exploring different roles played by rabel players during the last decades. Their roles are related to providing public enternainment, staging Cantabrian regional culture, dignifying the rabel and its music practice, and expressing transgressive social contents eng info:eu-repo/semantics/restrictedAccess Verlagshaus Monsenstein und Vannerdat OHG, Münster. Druck und Bindung: MV-Verlag The Rabel in Cantabria, Spain – Singing Transgression, Staging Regional Culture info:eu-repo/semantics/article