2026-05-05T11:35:08Zhttps://uvadoc.uva.es/oai/request

oai:uvadoc.uva.es:10324/663882024-03-20T13:02:59Zcom_10324_1142com_10324_931com_10324_894col_10324_1259

Villar Taboada, Carlos José 2024-02-22T15:42:02Z 2024-02-22T15:42:02Z 2021 Madalena Soveral (ed.). Contemporary Piano Music: Performance and Creativity. Newcastle (UK), 2021, pp. 225-246 978-1-5275-6883-9 https://uvadoc.uva.es/handle/10324/66388 225 246 Contemporary Piano Music: Performance and Creativity The Spanish composer Paulino Pereiro (born in A Coruña in 1957) is one of the leading figures in the concert music scene in Galicia since the 1980s, when he emerged as one of the founders of the Galician Association of Composers in 1987, which he chaired for a period of time. Pereiro boasts a catalogue of nearly 300 compositions. Among them, alongside about twenty orchestral works, his extensive chamber music production stands out, including 13 string quartets (1989-2019), as well as his piano repertoire, consisting of over 40 compositions. This piano music represents a clear example of the prevailing heterogeneity in his personal musical language, which draws from international folk traditions, jazz, the vast repertoire of past centuries, and atonality. This paper aims to explore Pereiro's extensive piano production through two highly representative solo works, both in terms of their length and the range of compositional techniques they display through their use of variation technique. An analytical methodological approach is applied, focusing on discursive articulation and harmony, utilizing Forte's Pitch-Class Set Theory. spa info:eu-repo/semantics/restrictedAccess Cambridge Scholars Publishing Música - España - Siglo XX Variation in Paulino Pereiro’s piano music: 'Variacións Beiras' (1990) and 'Branca, no desxeo das tebras' (2000) info:eu-repo/semantics/bookPart