2026-04-27T12:32:19Zhttps://uvadoc.uva.es/oai/request

oai:uvadoc.uva.es:10324/672232024-04-19T19:00:47Zcom_10324_1154com_10324_931com_10324_894col_10324_1290

Rodríguez Guerrero-Strachan, Santiago 2024-04-19T08:25:16Z 2024-04-19T08:25:16Z 2022 The Edgar Allan Poe review, 2022, vol. 23, n. 1. p. 37-54. 2150-0428 https://uvadoc.uva.es/handle/10324/67223 10.5325/edgallpoerev.23.1.0037 37 1 54 The Edgar Allan Poe Review 23 2166-2932 The article explores Juan Ramón Jiménez’s attempt to be a member of the international Modernist generation. For such purpose he rearranges his poetry and the influences that were fundamental throughout his career. By claiming himself a member of the Modernist group, he has to redefine Spanish and Spanish American modernism as a movement that has international roots, Poe being one of them. The article analyzes Jiménez’s critical essays Alerta and El Modernism: Apuntes de un curso in which he explores the connections of the Spanish modernism to Modernism, creating a “modernismo” that is Jiménez’s own blend of the two. eng info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by-nc-nd/4.0/ El editor Attribution-NonCommercial-NoDerivatives 4.0 Internacional Modernismo (Literatura) Juan Ramón Jiménez’s Reading of Edgar Allan Poe as a Source for a Cosmopolitan Modernismo info:eu-repo/semantics/article