<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-05-05T20:25:14Z</responseDate><request verb="GetRecord" identifier="oai:uvadoc.uva.es:10324/74381" metadataPrefix="qdc">https://uvadoc.uva.es/oai/request</request><GetRecord><record><header><identifier>oai:uvadoc.uva.es:10324/74381</identifier><datestamp>2025-02-05T09:53:04Z</datestamp><setSpec>com_10324_1164</setSpec><setSpec>com_10324_931</setSpec><setSpec>com_10324_894</setSpec><setSpec>col_10324_1330</setSpec></header><metadata><qdc:qualifieddc xmlns:qdc="http://dspace.org/qualifieddc/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">
<dc:title>Consumo multipantalla y polarización en Twitter durante los debates en  España (2023)</dc:title>
<dc:creator>Berrocal Gonzalo, Salomé</dc:creator>
<dc:creator>González Neira, Ana</dc:creator>
<dc:creator>Zamora Martínez, Patricia</dc:creator>
<dcterms:abstract>Currently, the viewership of electoral debates extends to new distribution channels such as social media and on-demand streaming services. The research monitors the digital distribution channels of televised electoral debates during the 2023 elections in Spain, analyzing uncivil comments from the broadcasting accounts on Twitter (X). There is an uneven use of these new distribution channels among media groups, and a significant number of uncivil comments in X during televised events, although informative and neutral messages generate higher engagement.</dcterms:abstract>
<dcterms:dateAccepted>2025-01-25T10:02:30Z</dcterms:dateAccepted>
<dcterms:available>2025-01-25T10:02:30Z</dcterms:available>
<dcterms:created>2025-01-25T10:02:30Z</dcterms:created>
<dcterms:issued>2024</dcterms:issued>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:identifier>VISUAL REVIEW. International Visual Culture Review Revista Internacional De Cultura Visual, 2024, vol. 16, n. 3, p. 29-48.</dc:identifier>
<dc:identifier>https://uvadoc.uva.es/handle/10324/74381</dc:identifier>
<dc:identifier>10.62161/revvisual.v16.5197</dc:identifier>
<dc:identifier>29</dc:identifier>
<dc:identifier>3</dc:identifier>
<dc:identifier>48</dc:identifier>
<dc:identifier>VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual</dc:identifier>
<dc:identifier>16</dc:identifier>
<dc:identifier>2695-9631</dc:identifier>
<dc:language>spa</dc:language>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>https://creativecommons.org/licenses/by-nd/4.0/</dc:rights>
<dc:rights>Atribución-SinDerivados 4.0 Internacional</dc:rights>
<dc:publisher>VISUAL Review</dc:publisher>
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