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Villalobos Alonso, Daniel 2012 Producción Científica This paper aims to reveal the various mechanisms of formal definition in Le Corbusier’s work that are directly sustained by the historical tools delineated by architects of the 19th century. This study will show how Le Corbusier’s concepts of ‘regulating lines’ and ‘modulor’, his processes of geometric control and modulation, and the creative development of his work, are connected to constructions as wide-ranging as Egyptian architecture and instances from Gothic, Renaissance and Baroque architecture, as well as with project mechanisms of addition and subtraction of elements, as an approach towards the formal development of the building. En: Alexandra Trevisan, Josefina González Cubero y Pedro Vieira de Almeida, (Ed. a cargo de): Ler Le Corbusier. Ed.: CEAA/Centro de Estudos Arnaldo Araujo da CESAP-ESAP. Fundación Le Corbusier. Porto, 2012. REF.: ISBN 978-972-8784-34-8. pp. 237 a 253. application/pdf https://uvadoc.uva.es/handle/10324/74864 spa CEAA/Centro de Estudos Arnaldo Araujo da CESAP-ESAP 0731 Arquitectura y urbanismo 6201 Arquitectura 620101 Diseño Arquitectónico 330501 Diseño Arquitectónico 550601 Historia de la Arquitectura 620103 Arquitectura Urbanismo El humanismo metafísico de Le Corbusier info:eu-repo/semantics/bookPart TEXT UVaDOC. Repositorio Documental de la Universidad de Valladolid Hispana