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oai:uvadoc.uva.es:10324/748642025-02-11T17:25:56Zcom_10324_1190com_10324_931com_10324_894col_10324_1352

El humanismo metafísico de Le Corbusier Villalobos Alonso, Daniel 0731 Arquitectura y urbanismo Producción Científica This paper aims to reveal the various mechanisms of formal definition in Le Corbusier’s work that are directly sustained by the historical tools delineated by architects of the 19th century. This study will show how Le Corbusier’s concepts of ‘regulating lines’ and ‘modulor’, his processes of geometric control and modulation, and the creative development of his work, are connected to constructions as wide-ranging as Egyptian architecture and instances from Gothic, Renaissance and Baroque architecture, as well as with project mechanisms of addition and subtraction of elements, as an approach towards the formal development of the building. En: Alexandra Trevisan, Josefina González Cubero y Pedro Vieira de Almeida, (Ed. a cargo de): Ler Le Corbusier. Ed.: CEAA/Centro de Estudos Arnaldo Araujo da CESAP-ESAP. Fundación Le Corbusier. Porto, 2012. REF.: ISBN 978-972-8784-34-8. pp. 237 a 253. 2025-02-10T16:53:40Z 2025-02-10T16:53:40Z 2012 info:eu-repo/semantics/bookPart Alexandra Trevisan, Josefina González Cubero y Pedro Vieira de Almeida, (Ed. a cargo de): Ler Le Corbusier. Porto. CEAA/Centro de Estudos Arnaldo Araujo da CESAP-ESAP.2012. p. 237-253 978-972-8784-34-8. https://uvadoc.uva.es/handle/10324/74864 237 253 Ler Le Corbusier spa info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution-NonCommercial-NoDerivatives 4.0 Internacional CEAA/Centro de Estudos Arnaldo Araujo da CESAP-ESAP