<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-05-05T21:02:55Z</responseDate><request verb="GetRecord" identifier="oai:uvadoc.uva.es:10324/75108" metadataPrefix="marc">https://uvadoc.uva.es/oai/request</request><GetRecord><record><header><identifier>oai:uvadoc.uva.es:10324/75108</identifier><datestamp>2025-02-24T20:01:07Z</datestamp><setSpec>com_10324_1190</setSpec><setSpec>com_10324_931</setSpec><setSpec>com_10324_894</setSpec><setSpec>col_10324_1352</setSpec></header><metadata><record xmlns="http://www.loc.gov/MARC21/slim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dcterms="http://purl.org/dc/terms/" xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd">
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<subfield code="a">Zaparaín Hernández, Fernando</subfield>
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<subfield code="a">Ramos Jular, Jorge Eduardo</subfield>
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<subfield code="c">2025</subfield>
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<subfield code="a">This paper aims to prove the interests, references, and objectives of the research project titled &#xd;
'DIGITALSTAGE: Spatial Analysis of 21st Century Digital Scenographic Installations' (2022&#xd;
2025), a project funded by the Ministry of Science and Innovation of the Spanish Government &#xd;
through its National Research Agency. &#xd;
The main objective of the research project is to document, represent, and analyse, using &#xd;
digital architectural tools, the new spatiality that has been generated since the 1980s, &#xd;
particularly during the 21st century, in various scenographic installations (artistic, cultural, &#xd;
scenic, or audiovisual), due to the disruptive integration of digital software: videomapping, &#xd;
stagebots, sound environment, augmented reality, 3D modelling and projection, 360º vision, &#xd;
holograms, among others.  &#xd;
The aim is to provide the academic community with a cohesive analytical graphic &#xd;
methodology and documentation enabling, above all, the assessment of the significant spatial &#xd;
categories present in these stage configurations. In addition to the existing theoretical studies, &#xd;
it is expected to offer a new perspective by analysing their three-dimensional characteristics &#xd;
through procedures that have been already effectively used to comprehend and represent &#xd;
space in architecture, a discipline inherently focused on spatiality.</subfield>
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<subfield code="a">Berzal, P.; Stourna, A.; Zoniou, C. y Kondis, G. (eds.). Performance &amp; Space. Nafplio, 2025, p. 265-274.</subfield>
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<subfield code="a">978-960-89135-6-12025</subfield>
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<subfield code="a">https://uvadoc.uva.es/handle/10324/75108</subfield>
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<subfield code="a">Performance &amp; Space</subfield>
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<subfield code="a">DIGITALSTAGE. Spatial Analysis of 21st Century Digital Scenographic Installations</subfield>
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