2026-05-05T18:34:33Zhttps://uvadoc.uva.es/oai/request

oai:uvadoc.uva.es:10324/760652025-09-10T09:36:54Zcom_10324_1142com_10324_931com_10324_894col_10324_1258

00925njm 22002777a 4500 dc Torres Lobo, Nuria author 2014 The present study analyses the function and importance of music in a parish church, the Parish Church of Santiago Apostel in Valladolid, Spain, through examination of a polyphonic manuscript from the early seventeenth century, the Santiago Codex (E-Vp: Ms. s. s). The parish church in Valladolid served also as the royal church because the court was in residence in Valladolid, so this center of apparently less importance still provides a wealth of information about the existence and contextualization of polyphony during this period. This study examines the construction of the Codex, the composers and repertoire contained within, and makes conjectures about its sources and dating. Fontes Artis Musicae, Vol. 61, Núm. 2, pp. 173-191 0015-6191 https://uvadoc.uva.es/handle/10324/76065 173 61/2 191 The Santiago Codex of Valladolid: Origins, Contents and Dating 61/2 The Santiago Codex of Valladolid: Origins, Contents and Dating