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oai:uvadoc.uva.es:10324/760652025-09-10T09:36:54Zcom_10324_1142com_10324_931com_10324_894col_10324_1258

Torres Lobo, Nuria 2025-06-20T10:04:12Z 2025-06-20T10:04:12Z 2014 Fontes Artis Musicae, Vol. 61, Núm. 2, pp. 173-191 0015-6191 https://uvadoc.uva.es/handle/10324/76065 173 61/2 191 The Santiago Codex of Valladolid: Origins, Contents and Dating 61/2 The present study analyses the function and importance of music in a parish church, the Parish Church of Santiago Apostel in Valladolid, Spain, through examination of a polyphonic manuscript from the early seventeenth century, the Santiago Codex (E-Vp: Ms. s. s). The parish church in Valladolid served also as the royal church because the court was in residence in Valladolid, so this center of apparently less importance still provides a wealth of information about the existence and contextualization of polyphony during this period. This study examines the construction of the Codex, the composers and repertoire contained within, and makes conjectures about its sources and dating. spa info:eu-repo/semantics/openAccess The Santiago Codex of Valladolid: Origins, Contents and Dating info:eu-repo/semantics/article