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<dc:title>'Toccate per Cimbalo del Signor Domenico Scarlatti': An Unexplored Early Source</dc:title>
<dc:creator>Pedrero Encabo, Águeda Asunción</dc:creator>
<dc:contributor>Fonts Artis Musicae</dc:contributor>
<dc:subject>Musicología</dc:subject>
<dc:description>English Abstract&#xd;
The loss of musical autographs by Domenico Scarlatti (1685–1757) makes it difficult to date and&#xd;
establish a reliable chronological order for his keyboard sonatas. A previously unexplored source&#xd;
now sheds new light on the composer’s early period: a manuscript contained in a miscellaneous&#xd;
codex preserved at the Bibliothèque de l’Arsenal in Paris (F-Pa MS-6785 (F-Pa Ms-6785, [https://&#xd;
archivesetmanuscrits.bnf.fr/ark:/12148/cc86681q]). This source includes a collection of twentyone&#xd;
sonatas by Scarlatti, copied by two anonymous scribes.&#xd;
This article examines the activity of each copyist and the paper’s watermarks. The findings&#xd;
indicate that the manuscript originated in France, and was based on drafts of individual sonatas&#xd;
stemming from an Italian context. A philological analysis confirms that this new source derives&#xd;
from Scarlatti’s autographs. A comparison between this manuscript and the first pieces published&#xd;
in Paris (Pièces choisies pour le clavecin ou l’orgue [Boivin, 1737]) reveals that it could not have&#xd;
been based on that edition, nor on its antigraphs. Rather, it must have arrived in France at an&#xd;
earlier date, derived from an Italian antigraph. This source represents the most extensive surviving&#xd;
collection of early sonatas circulating in manuscript from across Europe prior to the printed&#xd;
dissemination of Scarlatti’s keyboard works.</dc:description>
<dc:date>2025-12-14T19:50:50Z</dc:date>
<dc:date>2025-12-14T19:50:50Z</dc:date>
<dc:date>2025-12-14</dc:date>
<dc:date>2025</dc:date>
<dc:type>dataset</dc:type>
<dc:identifier>https://uvadoc.uva.es/handle/10324/80582</dc:identifier>
<dc:identifier>10.71569/6z59-rx71</dc:identifier>
<dc:language>eng</dc:language>
<dc:relation>Investigación propia de una fuente inédita</dc:relation>
<dc:relation>Proyecto de Investigacion I+ D Tópicos Diálogos e Identidades en la música española (siglos XVIII al XX). Ref. PID2023-151230NB-I00, funded by MICIU/AEI/10.13039/501100011033 and by ERDF/EU).</dc:relation>
<dc:relation>PID2023-151230NB-I00 (MICIU/AEI/10.13039/501100011033/FEDER/EU).</dc:relation>
<dc:rights>info:eu-repo/semantics/restrictedAccess</dc:rights>
<dc:rights>© Todos los derechos reservados</dc:rights>
<dc:coverage>Europa, Francia, Italia</dc:coverage>
<dc:coverage>Siglo XVIII</dc:coverage>
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<d:Resource ref="https://uvadoc.uva.es/bitstream/10324/80582/4/TOCCATE-PER-CIMBALO-DEL-SIGNOR-DOMENICO-SCARLATTI.pdf" mimeType="application/pdf"/>
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