<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-22T22:18:02Z</responseDate><request verb="GetRecord" identifier="oai:uvadoc.uva.es:10324/80582" metadataPrefix="dim">https://uvadoc.uva.es/oai/request</request><GetRecord><record><header><identifier>oai:uvadoc.uva.es:10324/80582</identifier><datestamp>2026-01-27T20:01:54Z</datestamp><setSpec>com_10324_1142</setSpec><setSpec>com_10324_931</setSpec><setSpec>com_10324_894</setSpec><setSpec>col_10324_1258</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="7ec458daacaed1ef" confidence="600" orcid_id="">Pedrero Encabo, Águeda Asunción</dim:field>
<dim:field mdschema="dc" element="contributor" qualifier="editor" lang="es" authority="5550496f-7acc-4f10-bf67-aed6563b7a0e" confidence="600" orcid_id="">Fonts Artis Musicae</dim:field>
<dim:field mdschema="dc" element="coverage" qualifier="spatial" lang="es">Europa, Francia, Italia</dim:field>
<dim:field mdschema="dc" element="coverage" qualifier="temporal" lang="es">Siglo XVIII</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2025-12-14T19:50:50Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2025-12-14T19:50:50Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="created">2025-12-14</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2025</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">https://uvadoc.uva.es/handle/10324/80582</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="doi">10.71569/6z59-rx71</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="es">English Abstract&#xd;
The loss of musical autographs by Domenico Scarlatti (1685–1757) makes it difficult to date and&#xd;
establish a reliable chronological order for his keyboard sonatas. A previously unexplored source&#xd;
now sheds new light on the composer’s early period: a manuscript contained in a miscellaneous&#xd;
codex preserved at the Bibliothèque de l’Arsenal in Paris (F-Pa MS-6785 (F-Pa Ms-6785, [https://&#xd;
archivesetmanuscrits.bnf.fr/ark:/12148/cc86681q]). This source includes a collection of twentyone&#xd;
sonatas by Scarlatti, copied by two anonymous scribes.&#xd;
This article examines the activity of each copyist and the paper’s watermarks. The findings&#xd;
indicate that the manuscript originated in France, and was based on drafts of individual sonatas&#xd;
stemming from an Italian context. A philological analysis confirms that this new source derives&#xd;
from Scarlatti’s autographs. A comparison between this manuscript and the first pieces published&#xd;
in Paris (Pièces choisies pour le clavecin ou l’orgue [Boivin, 1737]) reveals that it could not have&#xd;
been based on that edition, nor on its antigraphs. Rather, it must have arrived in France at an&#xd;
earlier date, derived from an Italian antigraph. This source represents the most extensive surviving&#xd;
collection of early sonatas circulating in manuscript from across Europe prior to the printed&#xd;
dissemination of Scarlatti’s keyboard works.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="sponsorship" lang="es">Didáctica de la Expresión Musical, Plástica y Corporal GIR: MAEP</dim:field>
<dim:field mdschema="dc" element="format" qualifier="mimetype" lang="es">application/pdf</dim:field>
<dim:field mdschema="dc" element="language" qualifier="iso" lang="es">eng</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="isbasedon" lang="es">Investigación propia de una fuente inédita</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="isreferencedby">Proyecto de Investigacion I+ D Tópicos Diálogos e Identidades en la música española (siglos XVIII al XX). Ref. PID2023-151230NB-I00, funded by MICIU/AEI/10.13039/501100011033 and by ERDF/EU).</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="projectID" lang="es">PID2023-151230NB-I00 (MICIU/AEI/10.13039/501100011033/FEDER/EU).</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="accessRights" lang="es">info:eu-repo/semantics/restrictedAccess</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="holder">© Todos los derechos reservados</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Musicología</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">Scarlatti, Domenico (1685-1757)</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="unesco" lang="es">6203.06 Música, Musicología</dim:field>
<dim:field mdschema="dc" element="title" lang="es">'Toccate per Cimbalo del Signor Domenico Scarlatti': An Unexplored Early Source</dim:field>
<dim:field mdschema="dc" element="type" lang="es">dataset</dim:field>
<dim:field mdschema="dc" element="type" qualifier="hasVersion" lang="es">info:eu-repo/semantics/acceptedVersion</dim:field>
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