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oai:uvadoc.uva.es:10324/817572026-04-07T10:14:16Zcom_10324_1142com_10324_931com_10324_894col_10324_1258

Sánchez Muñoz, Daniel 2026-01-18T14:51:40Z 2026-01-18T14:51:40Z 2022 Bibliotheca Orientalis, vol. 79, n. 2, p. 29-44 0006-1913 https://uvadoc.uva.es/handle/10324/81757 10.2143/BIOR.79.1.3291007 29 79 44 Interpreting and Staging Music in Ancient Southwest Asia and Beyond. Review Article of "The Study of Musical Performance in Antiquity: Archaeology and Written Sources" 2 The contents of The Study of Musical Performance in Antiquity: Archaeology and Written Sources (Cambridge Scholars Publishing, 2018) are discussed in depth in this review article, including some preliminary methodological considerations about the notion of ‘performance’. Some lines of research advanced in the reviewed volume are encouraged to continue in the future. The reviewer also discusses the question of ‘musical performance’ as ‘musical staging’: may we talk about the existence of concerts already in Antiquity? Are they as recent as musicology traditionally asserts? eng info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution-NonCommercial-NoDerivatives 4.0 Internacional Interpretación musical Arqueomusicología Ebla Mesopotamia Egipto Israel/Palestina Grecia Etruria Roma Antigüedad Tardía Interpreting and staging music in ancient southwest Asia and beyond. Review article of "The study of musical performance in Antiquity: archaeology and written sources" info:eu-repo/semantics/article