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<dc:title>Gods, Temples, and Music in Ancient Mesopotamia: An Exploratiomn of their Relationships according to Sumerian Ceremonial Temple Names (for full PDF, write to daniel.sanchez.munoz@uva.es)</dc:title>
<dc:creator>Sánchez Muñoz, Daniel</dc:creator>
<dc:subject>Mesopotamia</dc:subject>
<dc:subject>Sumerian</dc:subject>
<dc:subject>Temples</dc:subject>
<dc:subject>Inana/Ishtar</dc:subject>
<dc:subject>Ninurta</dc:subject>
<dc:subject>Drums</dc:subject>
<dc:subject>Songs</dc:subject>
<dc:subject>Onomastics</dc:subject>
<dcterms:abstract>Mesopotamian cultic structures had Sumerian names that referred to an aspect of the building itself or the god(dess) that inhabited it. Nevertheless, the meaning of a particular Sumerian “temple” name must be determined on a case-by-case basis. At least two of these names include words related to singing techniques and musical instruments. The first, e2-i-lu-zi-u3-li (“house of the calming i-lu and u3-li(-li/la)”), was the name of a temple dedicated to the hypostasis of Inana/Ištar in the Sealand region. The second, a2-la2-gu3-de2 (“thundering drum”), referred to a hallway in the Ešarra temple of Aššur, the seat of the god Šul-šagana. Since scholars specializing in both Mesopotamian “temple onomastics” and music have never studied these names, the aspects they celebrated have remained uncovered. Through philological analysis, this paper argues that i-lu and u3-li(-li/la) refer to Inana/ Ištar as a regular performer of these vocal techniques. The name A2-la2-gu3-de2 would compare the magnificence of Šul-šagana’s seat at the Ešarra temple to the sound (gu3-de2) and perhaps the physical appearance of a giant drum (a2-la2).</dcterms:abstract>
<dcterms:dateAccepted>2026-03-29T16:48:29Z</dcterms:dateAccepted>
<dcterms:available>2026-03-29T16:48:29Z</dcterms:available>
<dcterms:created>2026-03-29T16:48:29Z</dcterms:created>
<dcterms:issued>2026</dcterms:issued>
<dc:type>info:eu-repo/semantics/bookPart</dc:type>
<dc:identifier>Bellia, Angela (ed.). Architectural Structures for Music, Sonic Events, and Dance in the Ancient World. Pisa/Rome, 2026, p. 57-68</dc:identifier>
<dc:identifier>978-88-8147-551-3</dc:identifier>
<dc:identifier>https://uvadoc.uva.es/handle/10324/83879</dc:identifier>
<dc:identifier>10.5281/zenodo.19319615</dc:identifier>
<dc:identifier>57</dc:identifier>
<dc:identifier>68</dc:identifier>
<dc:identifier>Gods, Temples, and Music in Ancient Mesopotamia: An Exploratiomn of their Relationships according to Sumerian Ceremonial Temple Names</dc:identifier>
<dc:language>eng</dc:language>
<dc:relation>https://www.libraweb.net/index.php?dettagliononpdf=1&amp;chiave=3962&amp;valore=sku&amp;name=9788881475520.JPG&amp;h=843&amp;w=600</dc:relation>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
<dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dc:rights>
<dc:publisher>Fabrizio Serra editore</dc:publisher>
</qdc:qualifieddc></metadata></record></GetRecord></OAI-PMH>