<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-06-07T04:43:39Z</responseDate><request verb="GetRecord" identifier="oai:uvadoc.uva.es:10324/27392" metadataPrefix="dim">https://uvadoc.uva.es/oai/request</request><GetRecord><record><header><identifier>oai:uvadoc.uva.es:10324/27392</identifier><datestamp>2025-03-26T19:10:06Z</datestamp><setSpec>com_10324_6426</setSpec><setSpec>com_10324_5186</setSpec><setSpec>com_10324_29291</setSpec><setSpec>col_10324_27387</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="f8944c53-eec5-46d0-85b8-f372093b61f4" confidence="500" orcid_id="">Collar de Cáceres, Fernando</dim:field>
<dim:field mdschema="dc" element="contributor" qualifier="editor" lang="es" authority="EDUVA101" confidence="500" orcid_id="">Ediciones Universidad de Valladolid</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2017-11-27T15:45:22Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2017-11-27T15:45:22Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2017</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="citation">BSAA arte; Núm. 83 (2017) pags. 31-46</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="issn">2530-6359</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">http://uvadoc.uva.es/handle/10324/27392</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="doi" lang="es">10.24197/bsaaa.83.2017.31-46</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="publicationfirstpage">31</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="publicationissue">83</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="publicationlastpage">46</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract">La iglesia parroquial de Lagartera (Toledo) posee una importante tabla del Salvator Mundi, pieza central de su antiguo retablo mayor, que constituye uno de los trabajos más representativos del llamado Maestro de Miraflores, siempre necesitado de revisión. Su análisis formal e iconográfico es el cometido de estas líneas.</dim:field>
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<dim:field mdschema="dc" element="rights" qualifier="uri">http://creativecommons.org/licenses/by-nc-nd/4.0/</dim:field>
<dim:field mdschema="dc" element="rights">Attribution-NonCommercial-NoDerivatives 4.0 International</dim:field>
<dim:field mdschema="dc" element="source">BSAA arte</dim:field>
<dim:field mdschema="dc" element="title">Un Salvator Mundi del Maestro de Miraflores en Lagartera (Toledo)</dim:field>
<dim:field mdschema="dc" element="type">info:eu-repo/semantics/article</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="publisherversion">https://revistas.uva.es/index.php/bsaaarte/article/view/859</dim:field>
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