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Kenneth MacMillan and the Visual Arts: A Case Study De Lucas Olmos, María Cristina Kenneth MacMillan dance and visual arts The Invitation Francisco de Goya Eduardo Torre Nilsson La casa del ángel tableaux vivants British ballet narrative ballet narrative dance Royal Ballet Using Kenneth MacMillan’s ballet The Invitation as a case study, this article focuses on the influence that cinema and painting exerted on his choreography. It examines how the visual imagery and techniques that came from the acknowledged audiovisual and pictorial sources of this ballet entered into his choreography. It also reveals that paintings by Francisco de Goya are highly probable, but previously unacknowledged, sources of the ballet. A final reflection considers the tableau vivant as a choreographic technique for an image-based effect. 2024-01-31T09:13:48Z 2024-01-31T09:13:48Z 2020 info:eu-repo/semantics/article info:eu-repo/semantics/acceptedVersion https://doi.org/10.1080/01472526.2020.1827869 Dance Chronicle, Noviembre 2020, vol. 43, n. 3. p. 295-320 0147-2526 https://uvadoc.uva.es/handle/10324/65412 295 3 320 Dance Chronicle 43 1532-4257 eng https://www.tandfonline.com/doi/abs/10.1080/01472526.2020.1827869 Attribution-NonCommercial-NoDerivatives 4.0 Internacional info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by-nc-nd/4.0/ Taylor & Francis application/pdf Taylor & Francis