2024-03-29T06:00:17Zhttps://uvadoc.uva.es/oai/requestoai:uvadoc.uva.es:10324/226882021-06-30T08:11:14Zcom_10324_5343com_10324_5186com_10324_29291col_10324_5348
Book review Enda Walsh, The Walworth farce & The new electric ballroom. New York: Theatre Communications Group, 2009
Herrero Martín, Rosana
Ediciones Universidad de Valladolid
Libros - Reseñas
These two recent and acclaimed plays by Enda Walsh are meant to be a
tandem billboard featuring a set of idiosyncratic issues, or as we may allow
ourselves to call them, by now, “Walshian obsessions.” Namely, the vicious
need to replay the darkest pitfalls of one’s own family past; the ritualistic, cyclic
and punctilious nature of the paraphernalia and wording involved within this
performative procedure; together with the exploration of its dubious range of
loyalty to reality, and the limits of its transfigurative and therapeutic effects.
2017-03-22T09:42:07Z
2017-03-22T09:42:07Z
2017-03-22T09:42:07Z
2010
info:eu-repo/semantics/article
ES: revista de filología inglesa, 2010, N. 31, pags. 299-304
0210-9689
http://uvadoc.uva.es/handle/10324/22688
eng
info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nc-nd/4.0/
Attribution-NonCommercial-NoDerivatives 4.0 International