RT info:eu-repo/semantics/book
T1 Making Musical Works in Renaissance Spain
A1 Aguirre Rincón, María Soterraña
A1 Griffiths, John
A1 Gutiérrez Cajaraville, Carlos
A1 López Suero, Ana
A1 Fiorentino, Giuseppe
A1 Ramos López, Pilar
A1 Gómez del Sol, Manuel
A1 García Pérez, Amaya Sara
A1 Andrés Fernández, David
A1 Cruz Rodríguez, Javier
A1 Ruiz Albi, Irene
A2 Aguirre RincónMaría Soterraña
A2 GriffithsJohn
K1 Musicología
AB Why is it that Renaissance musicians (in Spain in this case) could identifyas the same work compositions that today might be seen as different?Wherein was the commonality? Current ontologies of music, deeplyrooted in modern theories and aesthetics revolve around the notion ofmusical masterpieces that exist as static monuments of musical art. Notonly inadequate from a historical point of view, such a conceptualisationimpacts heavily on the way we perform music, how we study it and howwe think about it today.Scholars such as Treitler and Strohm have proposed substituting compositionover practice to highlight the act of performance over prior creationas a way of shifting the focus in the development of contemporary historiography.In parallel with recent studies on contrapuntal improvisationthey have stressed the need to incorporate oral traditions within musichistory and to stimulate reconsideration conceptualisation of “makingmusical works” in the Renaissance, and the very nature of the works themselves.Starting with the notion of the Renaissance “musical work” as a group offluid, dynamic multiplicities, this book explores varied approaches to the“musical work.” It includes lexicological analyses of Renaissance musicalterminology, source studies that identify the changing practices and identitiesof specific works, and broader questions such as interrelationshipsbetween music, architecture and rhetoric, o between space and work. Thebook is further enriched by a study of the 15,000 musical works that residedin the library of Ferdinand Columbus, that survive as indices, neverstudied or published.
YR 2020
FD 2020
LK http://uvadoc.uva.es/handle/10324/40582
UL http://uvadoc.uva.es/handle/10324/40582
LA spa
NO Producción Científica
NO Departamento de Música y Expresión Musical
DS UVaDOC
RD 06-ago-2024