RT info:eu-repo/semantics/article
T1 From Ireland to the States. The Re-contextualisation of U2’s “Sunday, Bloody Sunday” in different political contexts
A1 Filardo Llamas, Laura
AB In this article I start from an understanding of songs as socio-cultural discourses which may also perform a political function. This political function can be reflected in the promotion of particular world-views about given socio-political events and/or in the attempt by the singer to make the audience perform given political actions. To prove this, I will look at the re-contextualization process undergone by a well-known song by U2: “Sunday, Bloody Sunday” (1983).This song was originally written to respond to the violence of the Northern Irish conflict, but it has been later used to react to other socio-political events. By relying on a cognitive approach to the study of songs, this paper tries to answer two questions: i) how can we explain the re-contextualization process undergone by the song and why is it possible? and ii) how is politics embedded with musical performances?
PB John Benjamins
YR 2019
FD 2019
LK https://uvadoc.uva.es/handle/10324/48825
UL https://uvadoc.uva.es/handle/10324/48825
LA eng
NO Filardo-Llamas, L. (2019). From Ireland to the States. The Re-contextualisation of U2’s “Sunday, Bloody Sunday” in different political contexts. Journal of Language and politics 18.4: 509-525
DS UVaDOC
RD 07-may-2024