RT info:eu-repo/semantics/doctoralThesis
T1 El orientalismo de Luis Feito, sobre sus bases del zen y las influencias taoístas.
A1 Yamada, Satoru
A2 Universidad de Valladolid. Escuela de Doctorado
K1 Filosofía oriental
K1 Luis Feito
K1 Orientalismo
K1 Zao Wou-Ki
K1 Bokujin-kai
K1 5506.02 Historia del Arte
AB The thesis approaches the study of Luis Feito's work from the perspective of East Asian thought, tracing the traces left by the philosophy of Tao and Zen Buddhism in his work. It also questions and responds to the way in which the Spanish artist approached them in Paris through the work of two important Asian painters, Zao Wou Ki, of Chinese origin, and Sugai Kumi, of Japanese origin, as well as the Japanese calligraphic group Bokujinkai. Also the work of other Western artists, who had already absorbed Eastern philosophy, such as Kazimir Malévich and Mark Rothko. The Parisian environment in the 1950s and 1960s was very permeable to these new thoughts that were spreading and becoming popular.He also analyses the work of the Zen monk Shitao, entitled "Discourse on the painting of the monk Bitter Gourd", which was written in the 17th century and published in Spanish in 2012. For Luis Feito it became a bedside book of which he said it contained everything he had learned over time about East Asian painting and gesture.The methodology underpinning the bulk of this research has been phenomenological in nature, which in Husserl's words is a way of approaching the world. It has allowed us to tackle the specific study of the subject by considering the point of view of each of those involved, from artists to artists, studying all kinds of experiences, emotions, reasoning and perceptions, all conveniently contextualised in the corresponding artistic period. The texts and plastic creations of the creators involved in the research have been the objects of study.The great difficulty that the study manages to overcome is the lack of publications on the subject of Zen and Taoism in Spain, overcome with the use of primary and secondary sources in Chinese and Japanese.After the work carried out, there is a great final conclusion which leads to the affirmation that Luis Feito's intuitive character in his work was strengthened by his deepening in the thought of Zen and Tao, as well as by the artistic formalisation of this thought.
YR 2023
FD 2023
LK https://uvadoc.uva.es/handle/10324/62625
UL https://uvadoc.uva.es/handle/10324/62625
LA spa
NO Escuela de Doctorado
DS UVaDOC
RD 16-ago-2024