RT info:eu-repo/semantics/bachelorThesis T1 From Post-Horror to Deep Horror: M. Night Shyamalan’s Take on the Genre A1 Frutos García, Carlos Samuel A2 Universidad de Valladolid. Facultad de Filosofía y Letras K1 Post-Horror K1 Characterization K1 Shyamalan K1 Grief K1 Existential Dread K1 Ambiguity K1 Caracterización K1 Duelo K1 Terror Existencial K1 Ambigüedad K1 5701.11 Enseñanza de Lenguas AB This essay approaches the characterization of “post-horror”, a film sub-genre established by Steve Rose. According to Rose, the term itself derives from the adjective ‘postmodern’ to refer to a set of horror movies produced in the 2010s and characterized by grief, complicated family bonds and existential dread. After considering the characterization proposed by Rose, the function of these elements in post-horror films is explored and compared to the presence of similar elements in M. N. Shyamalan’s movies in the 1990s. It is found that both sets of films follow the same strategies: grief and complicated family bonds are used to deepen into the characters; the portrayal of existential dread triggers a characteristic kind of discomfort; and ambiguous scenes stimulate open-ended interpretation processes. The results of this comparison mark the emergence of post-horror, here rebaptized as deep horror, long before 2010. YR 2023 FD 2023 LK https://uvadoc.uva.es/handle/10324/64246 UL https://uvadoc.uva.es/handle/10324/64246 LA eng NO Departamento de Filología Inglesa DS UVaDOC RD 16-jun-2024