RT info:eu-repo/semantics/bookPart
T1 The Aulos and the Trumpet: Music, Gender and Elites in Iberian Culture (4th to 1st Centuries BCE)
A1 Jiménez Pasalodos, Raquel
A1 Holmes, Peter
AB Despite the impossibility, due to the lack of organological remains, ofreconstructing their musical instruments or of delving more-deeply intothe sound world of the Iberians, the music iconography is, nonetheless,abundant and rich in information, and can tell us many things about thecultural function of music in Iberian societies, and, furthermore, aboutsome symbolic concepts and cultural behaviours (Merriam 1964). It canalso provide some clues which enable us to interpret how music may have beenhistorically constructed, socially maintained and individually applied (Rice 1987: 469-488) as well as inform about the performance of the genders in Iberian culture and their roles.
PB Cambridge Scholars Publishing
SN 978-1-5275-0658-9
YR 2018
FD 2018
LK https://uvadoc.uva.es/handle/10324/64689
UL https://uvadoc.uva.es/handle/10324/64689
LA eng
NO Jiménez Pasalodos, R.; Holmes, Peter/Pippa. The Aulos and the Trumpet: Music, Gender and Elites in Iberian Culture (4th to 1st Centuries BCE). En: Agnès Garcia-Ventura; Claudia Tavolieri; Lorenzo Verderame. The Study of Musical Performance in Antiquity: Archaeology and Written Sources. Cambridge Scholars Publishing; 2018. p. 173-206.
DS UVaDOC
RD 17-jul-2024