RT info:eu-repo/semantics/article
T1 Still time in four gazes
A1 Grijalba Bengoetxea, Julio
A1 Grijalba Bengoetxea, Alberto
A1 Rodríguez Andrés, Jairo
K1 arquitectura
K1 Time, project, evocation, fragment, unity
K1 6201 Arquitectura
AB According to Lessing’s theory, time and space are the concept bases of aesthetics. Architecture belongs to the realm of space, following this theory. There is no unitary discourse that substantiates the presence and the representation of time in Architecture. Our approach in this paper is based on the idea that the attributes of time and its passage, understood in their deep sense, are nothing but an essential issue of Architectural Project. Thus, the construction of our discourse hinges on four gazes to four projects, as defined in the first of “Four Quarters” by T.S. Elliot, published in 1936. The outside wall of the experimental house of Muuratsalo represents the gaze to a previous ruin, confronted with the detained time by the white that covers everything. The fragment of the wall of Sankt Markus, by Björhagen, evokes the lost unity. The courtyard enclosure of the Värmlan Regional Museum is a look in two different times. Finally, the outside wall of the Särestö Museum explores the bond between Architecture and nature throughout time.
PB Universitat Politècnica de València
SN 2341-3050
YR 2019
FD 2019
LK https://uvadoc.uva.es/handle/10324/64918
UL https://uvadoc.uva.es/handle/10324/64918
LA eng
NO VLC, abril 2019, vol. 6, n. 1. p. 125-151.
NO Producción Científica
DS UVaDOC
RD 16-ago-2024