RT info:eu-repo/semantics/bookPart
T1 Traces of the past in José Luis Turina’s piano music: Homenaje a Isaac Albéniz (I. Jaén)
A1 Villar Taboada, Carlos José
A1 Díaz-Emparanza Almoguera, Miguel
K1 Música
K1 análisis musical
K1 Turina
K1 análisis
K1 pasado
K1 piano
K1 6203.06 Música, Musicología
AB Isaac Albéniz (1860-1909) is one of the leading Spanish musical nationalismrepresentatives. His catalogue, in its musical language, displays the ideologyformulated by Felipe Pedrell (1841-1922) in his speech Por nuestra música(1891). This nationalist thought suggests the modernization of the musicallanguage –through reclaiming the historical legacy and the renewal of ourvision of folklore. The suite Iberia (1906-1909) is the best example of theseapproaches. It is a landmark of national piano literature which takes a trulyparadigmatic nature, due to its quality that goes beyond Spanish borders.In recent decades, there have been many composers who have beeninterested in passing the aesthetic ideas from the past through the postmodernfilter. In the Spanish case, Albéniz’s Iberia has been a model frequentlyvisited. An example of this tendency is Homenaje a Isaac Albéniz (I. Jaén)(2001), by José Luis Turina Santos (1952). Written as an image of theoriginal model, this Homage aims to be a hypothetical continuation of thesuite. From this standpoint and using a technically very demanding pianisticvocabulary for the interpreter, this work belongs to Turina’s aestheticdiscourse, where he recreates the historical repertoire by means of processesrelated to quotation, allusion, and musical intertextuality.The analytical study of Homenaje a Isaac Albéniz (I. Jaén) reveals thedifferent bridges that Turina has built to Iberia: formal correspondences,instrumental technique, and direct allusions as much as the aestheticapproach of the composition show how Albéniz’s postulates, properlyupdated, certainly remain in full force for musical creation.
PB Cambridge Scholar Publishing
SN 978-1-5275-8536-2
YR 2022
FD 2022
LK https://uvadoc.uva.es/handle/10324/65247
UL https://uvadoc.uva.es/handle/10324/65247
LA spa
NO Soveral, Madalena (ed.). Perspectives on Contemporary Musical Practices: From Research to Creation. Newcastle: Cambridge Scholar Publishing, 2022, p. 195-222.
NO Producción Científica
DS UVaDOC
RD 07-ago-2024