RT info:eu-repo/semantics/article
T1 Kenneth MacMillan and the Visual Arts: A Case Study
A1 Lucas, Cristina de
K1 Kenneth MacMillan
K1 dance and visual arts
K1 The Invitation
K1 Francisco de Goya
K1 Eduardo Torre Nilsson
K1 La casa del ángel
K1 tableaux vivants
K1 British ballet
K1 narrative ballet
K1 narrative dance
K1 Royal Ballet
AB Using Kenneth MacMillan’s ballet The Invitation as a casestudy, this article focuses on the influence that cinema andpainting exerted on his choreography. It examines how thevisual imagery and techniques that came from the acknowledgedaudiovisual and pictorial sources of this ballet enteredinto his choreography. It also reveals that paintings byFrancisco de Goya are highly probable, but previouslyunacknowledged, sources of the ballet. A final reflectionconsiders the tableau vivant as a choreographic technique foran image-based effect.
PB Taylor & Francis
SN 0147-2526
YR 2020
FD 2020
LK https://uvadoc.uva.es/handle/10324/65412
UL https://uvadoc.uva.es/handle/10324/65412
LA eng
NO Dance Chronicle, Noviembre 2020, vol. 43, n. 3. p. 295-320
DS UVaDOC
RD 24-nov-2024