RT info:eu-repo/semantics/article
T1 Accessibility and participation in the use of an inclusive musical instrument: The case of MotionComposer
A1 Peñalba Acítores, Alicia
A1 Valles del Pozo, María José
A1 Partesotti, Elena
A1 Sevillano Tarrero, María de los Ángeles
A1 Castañón Rodríguez, María Rosario
K1 Accessibility
K1 Digital musical instrument (DMI)
K1 Disability
K1 Inclusive music performance
K1 Interaction
K1 Music participation
K1 6203.06 Música, Musicología
K1 5802.05 Educación Especial; Minusválidos y deficientes Mentales
AB Digital musical instruments (DMI) can make musical practice accessible to non-trained persons or to persons with limitations related to their age, gender or musical experience. The present study explores accessibility and participation in a sample of 266 individuals using a device named MotionComposer, a digital instrument based on motion capture. By experimenting with this device during four minutes in two different environments (one causal, the other one more aprioristically determined), we study the kind of participant interaction that takes place. Results show that MotionComposer allows for a statistically significant similar interaction in people of different ages and genders and with different disabilities. However, there are two exceptions that can be accounted for in connection with the causality-randomness of the two environments where the experimentation takes place.
PB Intellect
SN 1752-7074
YR 2019
FD 2019
LK https://uvadoc.uva.es/handle/10324/68047
UL https://uvadoc.uva.es/handle/10324/68047
LA eng
NO Journal of Music, Technology and Education, 2019, vol. 12, n. 1, p. 79–94
NO Producción Científica
DS UVaDOC
RD 24-nov-2024