RT info:eu-repo/semantics/bookPart
T1 El humanismo metafísico de Le Corbusier
A1 Villalobos Alonso, Daniel
K1 0731 Arquitectura y urbanismo
K1 Historia de la Arquitectura Moderna
K1 Le Corbusier
K1 Arquitectura Moderna
K1 Composición Arquitectónica
K1 Arquitectura del Movimiento Moderno
K1 6201 Arquitectura
K1 620101 Diseño Arquitectónico
K1 330501 Diseño Arquitectónico
K1 550601 Historia de la Arquitectura
K1 620103 Arquitectura Urbanismo
AB This paper aims to reveal the various mechanisms of formal definition in Le Corbusier’s work that are directly sustained by the historical tools delineated by architects of the 19th century. This study will show how Le Corbusier’s concepts of ‘regulating lines’ and ‘modulor’, his processes of geometric control and modulation, and the creative development of his work, are connected to constructions as wide-ranging as Egyptian architecture and instances from Gothic, Renaissance and Baroque architecture, as well as with project mechanisms of addition and subtraction of elements, as an approach towards the formal development of the building. En: Alexandra Trevisan, Josefina González Cubero y Pedro Vieira de Almeida, (Ed. a cargo de): Ler Le Corbusier. Ed.: CEAA/Centro de Estudos Arnaldo Araujo da CESAP-ESAP. Fundación Le Corbusier. Porto, 2012. REF.: ISBN 978-972-8784-34-8. pp. 237 a 253.
PB CEAA/Centro de Estudos Arnaldo Araujo da CESAP-ESAP
SN 978-972-8784-34-8.
YR 2012
FD 2012
LK https://uvadoc.uva.es/handle/10324/74864
UL https://uvadoc.uva.es/handle/10324/74864
LA spa
NO Alexandra Trevisan, Josefina González Cubero y Pedro Vieira de Almeida, (Ed. a cargo de): Ler Le Corbusier. Porto. CEAA/Centro de Estudos Arnaldo Araujo da CESAP-ESAP.2012. p. 237-253
NO Producción Científica
DS UVaDOC
RD 05-abr-2025