RT info:eu-repo/semantics/doctoralThesis
T1 Música folk en la provincia de Valladolid. La construcción del género musical desde 1968 hasta la actualidad: repertorios, estilos y actividades musicales
A1 Vidal Briones, Jaime
A2 Universidad de Valladolid. Escuela de Doctorado
K1 Musicología
K1 Contemporary folk music
K1 Música folk
K1 Valladolid
K1 Valladolid
K1 traditional music
K1 Música tradicional
K1 6203.06 Música, Musicología
AB Since the 1960s, contemporary folk music in Spain has been characterized by an open definition encompassing a wide range of repertoires and styles. These have evolved uniquely across the various regions of the country, generating complex interrelations between tradition and avant-garde, as well as identity and syncretism. This doctoral dissertation examines the construction of contemporary folk music as a musical genre in the province of Valladolid from 1968—marked by the release of Joaquín Díaz's first LP—to the present, drawing on my position as an insider researcher. Through an ethnographic and autoethnographic approach, I establish a dialogue between the narratives of various actors within the local music scene, my own personal experience, and a diverse array of documentary sources. In line with the framework proposed by Burt Feintuch (1993), the study explores the conceptualization of tradition and authenticity, the codification of repertoire, and the development of styles and models. Simultaneously, I define the principal conventions that shape the musical genre (Holt, 2007) and identify the "musical pathways" (Finnegan, 2001) that have shaped interaction and coexistence within the local scene through individual and collective musical practices.
YR 2025
FD 2025
LK https://uvadoc.uva.es/handle/10324/80651
UL https://uvadoc.uva.es/handle/10324/80651
LA spa
NO Escuela de Doctorado
DS UVaDOC
RD 11-ene-2026