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Condiciones cinematográficas en la percepción del espacio arquitectónico: De El hombre de la cámara de Dizga Vertov (1929) al espacio cinematográfico de Le Corbusier (1930)481

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2014, DANIEL VILLALOBOS-SARA PÉREZ_CONDICIONES CINEMATOGRÁFICAS EN LA PERCEPCIÓN DEL ESPACIO ARQUITECTÓNICO.pdf151

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Condiciones cinematográficas en la percepción del espacio arquitectónico: De El hombre de la cámara de Dizga Vertov (1929) al espacio cinematográfico de Le Corbusier (1930)66

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