Sound

Gutiérrez Cajaraville, Carlos

doi:10.1007/978-3-319-02848-4_973-1

Por favor, use este identificador para citar o enlazar este ítem:http://uvadoc.uva.es/handle/10324/40619

Título

Sound

Autor

Gutiérrez Cajaraville, Carlos

Año del Documento

2018

Editorial

M. Sgarbi (ed.), Encyclopedia of Renaissance Philosophy, Springer International Publishing AG, part of Springer Nature 2018.

Documento Fuente

Encyclopedia of Renaissance Philosophy, Springer International Publishing AG.

Zusammenfassung

Sound, basically characterized as air in motion since ancient Greece, has been at the core of the theories of many philosophers, as well as musicians, poets, scientists, and theologians. Under the auspices of Hellenic thought, Renaissance scholars tried to define what sound is, unveiling its vibrating forces to understand its ability to shake the human body and soul. In such a way, the ever-present metaphors of harmony were much more than mere imagined, unreal thoughts: through them, Renaissance humanists shaped, organized, and understood the structure and passions of the world itself.

Revisión por pares

DOI

10.1007/978-3-319-02848-4_973-1

Patrocinador

Este trabajo forma parte del proyecto de investigación “La obra musical renacentista: fundamentos, repertorios y prácticas” HAR 2015-70181-P (MINECO/FEDER, UE)