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    •   UVaDOC Home
    • SCIENTIFIC PRODUCTION
    • Departamentos
    • Dpto. Didáctica de la Expresión Musical, Plástica y Corporal
    • DEP17 - Artículos de revista
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    •   UVaDOC Home
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    • DEP17 - Artículos de revista
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    Por favor, use este identificador para citar o enlazar este ítem:http://uvadoc.uva.es/handle/10324/40619

    Título
    Sound
    Autor
    Gutiérrez Cajaraville, CarlosAutoridad UVA
    Año del Documento
    2018
    Editorial
    M. Sgarbi (ed.), Encyclopedia of Renaissance Philosophy, Springer International Publishing AG, part of Springer Nature 2018.
    Documento Fuente
    Encyclopedia of Renaissance Philosophy, Springer International Publishing AG.
    Abstract
    Sound, basically characterized as air in motion since ancient Greece, has been at the core of the theories of many philosophers, as well as musicians, poets, scientists, and theologians. Under the auspices of Hellenic thought, Renaissance scholars tried to define what sound is, unveiling its vibrating forces to understand its ability to shake the human body and soul. In such a way, the ever-present metaphors of harmony were much more than mere imagined, unreal thoughts: through them, Renaissance humanists shaped, organized, and understood the structure and passions of the world itself.
    Revisión por pares
    SI
    DOI
    10.1007/978-3-319-02848-4_973-1
    Patrocinador
    Este trabajo forma parte del proyecto de investigación “La obra musical renacentista: fundamentos, repertorios y prácticas” HAR 2015-70181-P (MINECO/FEDER, UE)
    Idioma
    spa
    URI
    http://uvadoc.uva.es/handle/10324/40619
    Tipo de versión
    info:eu-repo/semantics/draft
    Derechos
    openAccess
    Collections
    • DEP17 - Artículos de revista [334]
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