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    Título
    La música para danza de Carlos Suriñach
    Autor
    Cavia Naya, María VictoriaAutoridad UVA
    Año del Documento
    1997
    Editorial
    Universidad de Alcalá
    Descripción
    Producción Científica
    Documento Fuente
    Cairon: revista de ciencias de la danza, Nº 3, 1997, págs. 21-38
    Resumen
    In addition to his fame as a composer of symphonic works, Suriñach ( 1915-1997) has won remarkable international distinction in the field of dance. Suriñach 's extensive cultural background is reflected in several ways. His Spanish nature is demonstrated in the Flamenco tone of his art. His German training reveals itself in a structural integrity along with a very expressive way to convey. His French experience shows in the clarity of his musical thought. His American atributes are his energy, vitality and sweetnes of sentiment. Suriñach's musical scores has been featured in the repertoires of Martha Graham, Jose Limon, Pearl Lang, the Ballet Rambert of England and Antonio and his Ballets de Madrid. The Eyes of the Goddes ( 1991 ), choreographed by Martha Graham, was also the latest ballet by Suriñach, whose American career began in 1952 with the performance of a piece at an all-percusion concert at The Museum of Modern Art. Since then, comission has followed comission almost without interruption. His music has been played in the major theaters of the world and his works are in the repertories of most American dance companies. This paper is followed by a list which contents Suriñach's ballet works.
    Materias Unesco
    6203.06 Música, Musicología
    6203.02 Baile, Coreografía
    Palabras Clave
    Carlos Suriñach
    Música española
    Danza
    ISSN
    1135-9137
    Revisión por pares
    SI
    Version del Editor
    https://ebuah.uah.es/dspace/
    Propietario de los Derechos
    © Universidad de Alcalá
    Idioma
    spa
    URI
    http://uvadoc.uva.es/handle/10324/43688
    Tipo de versión
    info:eu-repo/semantics/publishedVersion
    Derechos
    openAccess
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