• español
  • English
  • français
  • Deutsch
  • português (Brasil)
  • italiano
    • español
    • English
    • français
    • Deutsch
    • português (Brasil)
    • italiano
    • español
    • English
    • français
    • Deutsch
    • português (Brasil)
    • italiano
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Stöbern

    Gesamter BestandBereicheErscheinungsdatumAutorenSchlagwortenTiteln

    Mein Benutzerkonto

    Einloggen

    Statistik

    Benutzungsstatistik

    Compartir

    Dokumentanzeige 
    •   UVaDOC Startseite
    • PUBLIKATIONEN DER UVA
    • Revistas de la UVa
    • ES Review. Spanish Journal of English Studies
    • ES Review. Spanish Journal of English Studies - 2021 - Num. 42
    • Dokumentanzeige
    •   UVaDOC Startseite
    • PUBLIKATIONEN DER UVA
    • Revistas de la UVa
    • ES Review. Spanish Journal of English Studies
    • ES Review. Spanish Journal of English Studies - 2021 - Num. 42
    • Dokumentanzeige
    • español
    • English
    • français
    • Deutsch
    • português (Brasil)
    • italiano

    Exportar

    RISMendeleyRefworksZotero
    • edm
    • marc
    • xoai
    • qdc
    • ore
    • ese
    • dim
    • uketd_dc
    • oai_dc
    • etdms
    • rdf
    • mods
    • mets
    • didl
    • premis

    Citas

    Por favor, use este identificador para citar o enlazar este ítem:https://uvadoc.uva.es/handle/10324/50813

    Título
    Celebrating Cultural Hybridity Through Storytelling: Othello as a Borderlands Character in Caryl Phillips’ The Nature of Blood
    Autor
    Nadal-Ruiz, Alejandro
    Editor
    Ediciones Universidad de ValladolidAutoridad UVA
    Año del Documento
    2021
    Documento Fuente
    ES Review. Spanish Journal of English Studies; No 42 (2021) pags. 199-215
    Zusammenfassung
    This paper provides a new approach to Othello’s story in Caryl Phillips’ polyphonic novel The Nature of Blood (1997). The fictional Othello finds himself at the crossroads between different cultures and is struggling to define his identity. Making use of Gloria Anzaldúa’s borderlands theory as exposed in her work Borderlands/La Frontera (1987), this study explores Phillips’ Othello as a borderlands character. Accordingly, it is the purpose of this paper to demonstrate that, as a borderlands character-narrator, Othello succeeds in bringing together the two hitherto conflicting cultures that he knows (Africa and Venice) through storytelling. Indeed, his narrative proves a transborder testimony that contributes to creating a debate forum where cultural hybridity is celebrated.um where cultural hybridity is celebrated. 
    Materias (normalizadas)
    Filología Inglesa
    ISSN
    2531-1654
    DOI
    10.24197/ersjes.42.2021.199-215
    Version del Editor
    https://revistas.uva.es/index.php/esreview/article/view/4808
    Idioma
    eng
    URI
    https://uvadoc.uva.es/handle/10324/50813
    Tipo de versión
    info:eu-repo/semantics/publishedVersion
    Derechos
    openAccess
    Aparece en las colecciones
    • ES Review. Spanish Journal of English Studies - 2021 - Num. 42 [16]
    Zur Langanzeige
    Dateien zu dieser Ressource
    Nombre:
    revistas_uva_es__esreview_article_view_4808_4044.pdf
    Tamaño:
    406.7Kb
    Formato:
    Adobe PDF
    Thumbnail
    Öffnen
    Attribution-NonCommercial-NoDerivatives 4.0 InternationalSolange nicht anders angezeigt, wird die Lizenz wie folgt beschrieben: Attribution-NonCommercial-NoDerivatives 4.0 International

    Universidad de Valladolid

    Powered by MIT's. DSpace software, Version 5.10