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dc.contributor.authorLlorens Cubedo, Dídac
dc.contributor.editorEdiciones Universidad de Valladolid 
dc.date.accessioned2023-01-12T17:11:39Z
dc.date.available2023-01-12T17:11:39Z
dc.date.issued2022
dc.identifier.citationES Review. Spanish Journal of English Studies; No. 43 (2022) pags. 63-85
dc.identifier.issn2531-1654
dc.identifier.issn2531-1646
dc.identifier.urihttps://uvadoc.uva.es/handle/10324/58191
dc.description.abstractSyrie James’s The Secret Diaries of Charlotte Brontë (2009) is a first-person narrative of the last ten years of the Victorian novelist’s life. It is a neo-Victorian celebrity biofiction, tending to the hagiographic. It draws on various biographies of Brontë, on her letters and on her autobiographical novels. Interestingly, it also evokes Jane Austen’s Pride and Prejudice, a novel that Brontë famously disliked. The present article considers Secret Diaries within the parameters of neo-Victorian biofiction; it identifies parallelisms with Austen’s classic; it reassesses the relationship between Brontë and Austen; and, in doing all this, shows that the chronological scope of Neo-Victorianism is broad.
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceES Review. Spanish Journal of English Studies
dc.subjectFilología Inglesa
dc.titleSyrie James’s The Secret Diaries of Charlotte Brontë: A Neo-Victorian Biofiction of Pride and Prejudice
dc.typeinfo:eu-repo/semantics/article
dc.identifier.doihttps://doi.org/10.24197/ersjes.43.2022.63-85
dc.relation.publisherversionhttp://revistas.uva.es/index.php/esreview/article/view/6852
dc.identifier.publicationfirstpage63
dc.identifier.publicationissue43
dc.identifier.publicationlastpage85
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersion


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