RT info:eu-repo/semantics/bookPart
T1 Contrapunto and fabordón. Practices of extempore polyphony in Renaissance Spain
A1 Fiorentino, Giuseppe
K1 Musicología
AB In this chapter I will examine the significance and extent of extempore polyphonies in Spain during the Renaissance period, studying their diffusion as a daily practice, and their place in the musical training of young singers. The first part of the chapter will be centered on the practice and transmission of contrapunto, usually learned and performed “por razón”, that is, according to the rules of music, within Spanish capillas musicales. The second part of the chapter is concerned with the other tradition of oral polyphony, often learned and performed “por uso”, which was frequently called “cantar fabordón”.
PB Brill
SN 978-1-4724-7327-1
YR 2017
FD 2017
LK http://uvadoc.uva.es/handle/10324/40676
UL http://uvadoc.uva.es/handle/10324/40676
LA spa
NO Studies in Historical Improvisation: from ‘Cantare super Librum’ to Partimenti, ed. Massimiliano Guido, Farnham: Ashgate, 2017, pp. 72-89.
DS UVaDOC
RD 30-abr-2024