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dc.contributor.author | Fernández Rodríguez, Carmen María | |
dc.contributor.editor | Ediciones Universidad de Valladolid | es |
dc.date.accessioned | 2019-01-08T18:57:32Z | |
dc.date.available | 2019-01-08T18:57:32Z | |
dc.date.issued | 2018 | |
dc.identifier.citation | ES Review. Spanish Journal of English Studies; No 39 (2018) pags. 97-115 | |
dc.identifier.issn | 2531-1654 | |
dc.identifier.issn | 2531-1646 | |
dc.identifier.uri | http://uvadoc.uva.es/handle/10324/33724 | |
dc.description.abstract | One of the latest rediscoveries within the field of the Burney Studies is the oeuvre of Frances Burney’s half-sister, Sarah Harriet Burney, who also was a famous novelist during her lifetime. This paper focuses on two black characters in Geraldine Fauconberg (1808) and Traits of Nature (1812). By using a gender and postcolonial criticism, I analyze Sarah Harriet’s portrait of blackness and how this author approached the marginalization of the blacks in early nineteenth-century Britain, which is closely related to the oppression suffered by the heroines in her works. | |
dc.format.mimetype | application/pdf | |
dc.language.iso | eng | |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | ES Review. Spanish Journal of English Studies | |
dc.title | Blackness and Identity in Sarah Harriet Burney’s Geraldine Fauconberg (1808) and Traits of Nature (1812) | |
dc.type | info:eu-repo/semantics/article | |
dc.identifier.doi | https://doi.org/10.24197/ersjes.39.2018.97-115 | |
dc.relation.publisherversion | https://revistas.uva.es/index.php/esreview/article/view/2379 | |
dc.identifier.publicationfirstpage | 97 | |
dc.identifier.publicationissue | 39 | |
dc.identifier.publicationlastpage | 115 | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International |
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