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Título
Sound
Año del Documento
2018
Editorial
M. Sgarbi (ed.), Encyclopedia of Renaissance Philosophy, Springer International Publishing AG, part of Springer Nature 2018.
Documento Fuente
Encyclopedia of Renaissance Philosophy, Springer International Publishing AG.
Resumen
Sound, basically characterized as air in motion
since ancient Greece, has been at the core of the
theories of many philosophers, as well as musicians,
poets, scientists, and theologians. Under
the auspices of Hellenic thought, Renaissance
scholars tried to define what sound is,
unveiling its vibrating forces to understand its
ability to shake the human body and soul. In
such a way, the ever-present metaphors of harmony
were much more than mere imagined,
unreal thoughts: through them, Renaissance
humanists shaped, organized, and understood
the structure and passions of the world itself.
Revisión por pares
SI
Patrocinador
Este trabajo forma parte del proyecto de investigación “La obra musical renacentista: fundamentos, repertorios y prácticas” HAR 2015-70181-P (MINECO/FEDER, UE)
Idioma
spa
Tipo de versión
info:eu-repo/semantics/draft
Derechos
openAccess
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Ficheros en el ítem
